Monthly Archives: November 2012

The continuing importance of editing

I’m under 150,000 words now on the continuing project to bring my manuscript down to a publishable size. Given that the upper limits (especially for an unpublished author) are in the 130 – 140k range I still have some work ahead of me, but I feel it’s going well.

Most of the words cut so far came from some major changes:

I cut a character. In one sense he was minor, but I had a plan to develop him much further later in the story. When some of that got chopped he became even less significant in his earlier scenes, and so, brutally, I cut him. Not an early death… he never existed.

I have restructured the opening chapters. Originally they were all weighing in between 3 and 4 thousand words and most had more than one narrative POV, so I changed the structure of the chapters to have each be a single narrative POV. They’re shorter, punchier and arranged so that there is a more logical flow. I think it has done wonders for my pacing and has  also removed the last vestiges of their being a really clear dominant POV character, so that now several POV characters each progress the narrative and each give us insights into the events from their own perspective.

I also restructured the plot in the opening, partly to facilitate the narrative changes, and partly to streamline the plot. In one chapter in particular the various changes I had made over time had caused a great deal of confusion. This chapter was (and is) a crucial nexus for the characters and I think it now does a better job of drawing the threads together and scattering them, where before it just drew them in and left me with an ugly tangled mess.

So the process is a positive one. I have lost a lot of words to the cutting-room floor and many of these I believe were quite good ones. I’ve lost scenes I liked, because they no longer were needed, or no longer made sense. I’ve lost some nice prose, some sharp dialogue, some insights into the characters and how they maintain themselves in the world… but in return I’ve got a leaner, fitter plot, I have thinned out some of the exposition chunks into a nice exposition stew (there’s a better metaphor for that I’m sure. Perhaps I’m hungry? Certainly I’m tired).

So I need to cut at least another 10,000 or so, possible 15,000, and I’ve made the major changes. I’m back to the start and going through, chapter by chapter, finding superfluity and error. It’s difficult and at times tedious, but it’s necessary and ultimately a very positive thing. Today I cut 750 words from a chapter. That’s probably a higher than average edit.

If I can cut 500 words from every chapter by this process I’ll get to the end of the book having carved out another 17,000 words or so, and I’ll be right on target!

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Genrecon Australia 2012

Last weekend I went to the inaugural Australian Genrecon and I have to say WOW! What an excellent decision that was. Yay me!

Of course the real congratulations should go to the likes of Peter M BallMeg Vann, and the ninja team from Queensland Writers’ Centre. What a magnificent event they organised and managed!

This was my first ever convention, and I have to admit I had no real idea what to expect (or what I was doing). I read a few tips. Chuck Wendig’s were pretty helpful. A lot of common sense of course but a good guide nonetheless. (He was also quoted in a panel by P M Newton: ‘Plot is Soylent Green’)

The other massive help was Twitter. I was flying basically solo… I knew a couple of people from online interactions, but only one person I’d met face-to-face. So when I walked in to the opening function on Friday night it was a massive relief to start recognising some twitter handles on name tags.

One face I did recognise was International guest of honour Joe Abercrombie. He was surrounded, and congenial and charming and gracious and relaxed and just a wonderful international guest. Full credit to him.

I managed to spark up a chat with Ginger Clark, about whom I knew enough from twitter to give me some icebreakers. We discussed zoos and Australian fauna and Sandy and suddenly the crushing weight of Curtis Brown NY was lifted a little. She’s really a nice person and I had a lot less fear for my Sunday pitch.

The adults only panel was excellent. Good natured and great fun. I worried that I had made a fool of myself in a discussion of the C-bomb, but everyone was great. I’d never considered the difficulty romance writers had choosing between descriptions which were either twee or coarse.

Afterwards I met some great Romance writers who were kind enough to explain to me some of the subtleties of their craft and how careers are forged from one’s writing. Thanks to Denise RossettiNikki LoganAnna Campbell and Alexis (sorry Alexis – I forgot your surname).

I’m on the right, with idiot grin!

Saturday morning was a great highlight. I was running a little late, stopped in for a quick toast and a take-away coffee with the intent of sneaking into a 9am seminar moments late, but Joe was alone at a table, enjoying a pretty good approximation of a full English brekky… what’s a fanboy to do?

Joe was great. We chatted like old pals for nearly an hour. Talked black pudding, Lancaster accents, kids, nappies, travel, Australiana, First Law, Red Country, westerns, my fledgling attempts at a career, Batman as vigilante and Superman as fascist. I got a photo in which I’m grinning like an idiot child on Christmas day.

That an author of his stature should be so welcoming and open, and for him to show such interest in what I was writing, was magnificent and I am so grateful!

The panels were universally excellent. Special mention goes to: Kim Wilkins and her impressive (to me especially) use of Old English; Crime author P M Newton for being so erudite and articulate in the face of Joe Abercrombie’s wise-cracking; Peter Ball and Alex Adsett for their insights into writing as a career; Ginger Clark for her excellent presentation on what an agent does (and how);  the Saturday night Snark from ‘Smart Bitch’ Sarah (Platypus of Doom, Gay Tarot Reading Vampire Were-Roos, Mr Darcy’s horrible secret…); the conversation with Joe Abercrombie (of course).

Thanks also to Peta Freestone and Amie Kaufman for helping me hone my pitch, and to Lindy Cameron of Clan Destine press for her encouraging feedback.

Thanks to everyone who made the weekend so wonderful (especially my wife, who looked after our two boys solo all weekend! How did I get so lucky to have such support?).

It ended with a successful pitch (with a caveat for length) to Ginger Clark and an invitation to submit pages. Could not have hoped for anything more!