Craft v Platform

There is a tension in some, it would appear, between two apparently opposing forces: the practice of one’s craft, and the building of one’s platform.

I’ve discussed this before, but really, I have never thought of this – what I’m doing here – as ‘platform’. The concept that blogging, maintaining a site, setting up a page, being active on twitter, attending cons… that all of that could be merely some effort to ensnare potential readers, that always struck me as slightly nefarious. Dishonest at worst, a mistake of priorities at best.

I always figured on doing all those things because I like doing them. I like here tapping away and throwing my words out into the churning void of bandwidth and opinion that is the internet. I liked going to Genrecon and meeting a community of people who shared my passions, or gave me new insights into passions related but different, or even new insights into my own. I like interacting with people on Twitter, on Facebook, wherever else it might be. So I hadn’t really felt the tension between these things and the craft of writing, other than the obvious mismanagement of time that could occur.

But Jane Friedman’s post on Writer Unboxed got me thinking about this tension anew last month, and as a result I went away from the website here, I left neglected my Facebook Page, I went away from Twitter… ok. That last one’s not true. Twitter is a difficult thing to shake. I did though take a more passive role on twitter, allowing those I follow to guide me to links and such, but not tweeting (much).

What then has been gained from this month of social media ‘sabbatical’? What gained from a month devoted to craft rather than the building of ‘profile’?

  • I finished writing my draft of Old Man Madigan. It comes in at 10,000 words and I’m wondering now whether I submit it to a market which may be prepared to serialise it, or whether I go in hard with the editing shears and cut.
  • I started expanding some ideas for other short stories, tentatively entitled: Pareidolia, Watchers, Melange. They run a gamut of weird urban/psychological, scif-fi futurism, alt world Fantasy.
  • I wrote a draft of ‘The Witch Way’, a Fantasy short story  at 5,000 words and in need of an edit.
  • I completed a draft of ‘Leaving the Farm’ which had been kicking around in my head and on my computer for years, never really having much structure or purpose. It’s 2150 words and not really genre fiction at all to be honest, straight up Lit Fic with a rural bent.
  • I did a heck of a lot of reading: Chuck Wendig’s Bad Blood, Shotgun Gravy, Bait Dog, Blackbirds, and Mockingbird; Joe Abercrombie’s Red Country; Mark Lawrence’s Prince of Thorns (and currently reading King). Reviews to come.
  • And I sent out a query email for Exile, in the hope that an agent may be interested.

An agent was, and requested chapters, and so I’ve sent them now. I’m cautious and nervous and excited and apprehensive and uncertain and hopeful and worried and blasé… all at once or vacillating between the states. In one sense it’s not a step I haven’t reached (and stumbled upon) before, but I feel it’s progress. The last time an agent requested chapters it was on the basis of a face-to-face meeting, not so in this case. The agent currently considering my submission asked to see more based solely on the few paragraphs into which I distilled my novel. So that’s a good thing, to know that the query email worked, to know that I can pique the interest.

All in all a productive month, especially as I look back on it now. So what’s in store for this month? I hope to edit those two stories that are complete drafts, and to send them out. I have a list of markets to which I can submit (thanks Peter M Ball and  Alan Baxter) and I intend to put that list to use… and of course to check my emails obsessively, in the hope of good news.

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